1867. Etching and lithograph on cream wove paper, 6 x 8 3/4 inches (151 x 220 mm), full margins. With some scattered light spots of yellowing in the margins on the recto, outside of image area, and more advanced yellowing in five to seven places on the verso, also in..... More
1844. Etching on Chine collé mounted to cream wove paper, 3 5/8 x 5 1/8 (90 x 129 mm), full margins. With a pencil notation in the right margin on the recto (outside of image area), as well as some minor mat tone. Otherwise in very good condition... More
Paris: Huquier, c 1750. Etching and engraving on cream laid paper, 11 3/4 x 8 1/8 inches (297 x 205 mm), margins trimmed. Scattered light surface soiling, minor loose handling creases, rubbed edges, and small corner losses. The lower portion of the sheet including the bottom of the title of..... More
1577. Engraving on hand made laid paper, 10 5/8 x 6 7/8 inches (268 x 174 mm), full magins. Examination under a black light reveals repairs to the left, top & bottom sheet edges, as well as the removal of an inscription in ink which once appeared in the top-right..... More
1650. Etching and engraving on handmade cream laid paper, 3 7/8 x 6 7/8 inches (97 x 173 mm), full margins. In good condition, consistent with age. Several small notations in pencil in the lower margin recto, as well as some toning at the sheet edges. On the verso there..... More
1850. Etching on Chine collé mounted to cream wove paper, 3 7/8 x 5 7/8 inches (97 x 147 mm), full margins. With a pencil notation in the right margin on the recto (outside of image area), as well as some adhesive residue at the top right and left corners..... More
1911. Etching in black ink on cream laid Japon paper, 9 1/16 × 7 1/16 inches (229 x 178 mm), full margins. With an ink stamp from the collection of E.A. Scollin, M.D., Springfield, IL, and the numeral 8, both in blue ink on the verso. Minor scattered toning, and..... More
c 1880. Lithograph on Les Lettres et les Arts watermarked cream wove paper with deckle edges, 8 3/4 x 10 1/2 inches (220 x 265 mm), full margins. Signed, titled, and numbered 34/52 in pencil, lower margin. In good condition with dog-eared corners at the top right and lower left..... More
c 1870. Heliogravure in colors with stencil on Japon paper, 8 x 4 3/4 inches (202 x 120 mm), full margins, full sheet. From the edition of 30 proofs printed on Japon paper (aside from the edition of 100 proofs on Arches), after an unpublished drawing. In good condition with..... More
c 1910. Stone lithograph in black ink on tissue-thin wove Japon paper, 9 x 11 1/4 inches (228 x 285 mm), full margins. Signed and numbered 43/125 in pencil in the lower margin. Overall moderate toning, some extremely minor scattered pinpoint size spots of light yellow discoloration. More
1923. Etching and drypoint on chine collé laid down to cream wove paper, 12 5/8 x 8 5/8 inches (318 x 217 mm), full margins. Signed, titled, and numbered 68/100 in pencil, lower margin. Third state (of 3). Laid down to non archival board with mat tone, and scattered adhesive..... More
Rome: Giacomo Antonelli, 1825. Engraving with hand coloring in watercolor on cream wove paper with a "PM" watermark, 11 1/4 x 14 1/2 (285 x 360 mm), full margins. Scattered moderate handling creases, especially along the top margin. Several minor spots of scattered light-yellow discoloration on the recto, as well..... More
London: Charles Joseph Hullmandel, 1839. Oil stick color lithograph on cream wove paper, 14 3/16 x 11 inches; (360 x 280 mm), full margins. Scattered light yellow spots of discoloration throughout, more apparent on the verso. Non-archival tape on the lower sheet margin, and at the top right and left..... More
London: Rudolph Ackermann, 1808. Hand-colored lithograph, 9 1/4 x 11 inches (235 x 278 mm), margins trimmed 2 to 3 inches outside of platemark. Laid down to non-archival mat board with associated areas of adhesive residue and minor staining in the margins, as well as a 1-inch loss at the..... More
c 1925. Etching on cream wove paper, 4 1/2 x 7 inches (114 x 177 mm), wide margins, signed in pencil in the lower right. Laid down to nonarchival board with the mat affixed, obscuring the verso and the sheet edges. The visible portion of the sheet is clean with..... More
1890. Ink and sepia wash on light wove paper, 5 1/8 x 4 inches (128 x 100 mm), signed in brown ink and dated in black ink below the image. Scattered light foxing and uniform toning. Adhered to nonarchival white cardstock, creating minor cockling, and obscuring the verso. Alberto Prosdocimi..... More
c 1840. Ink and wash in sepia and brown on heavy wove paper, 5 13/16 x 8 1/2 inches (146 x 215 mm). Scattered uniform age tone and discoloration throughout. Brown ink spot with associated spots in the lower right image area. Provenance: Exhibited by Guy Peppiat Fine Art in..... More
c 1780. Etching on cream laid paper, 4 3/8 x 3 3/8 inches (110 x 90 mm), thread margins. Several scattered light spots of yellow discoloration, and mutilple areas of minor skinning and adhesive residue from a former mount on the verso. An exceptionally well inked impression. More
1758. Engraving on cream laid paper, 8 x 5 7/8 inches (202 x 149 mm), trimmed at the platemark. Adhered at each corner to a small sheet of archival laid paper. Horizontal edge loss at the top-center sheet edge, extending approximately 1/2-inch into the platemark, 1-inch in length. Inking is..... More
c1880. Heliogravure on cream laid paper, 6 1/2 x 5 1/2 inches (164 x 138 mm), thread margins. Uniform toning on the recto, and scattered light foxing and various notations in purple ink and pencil on the verso. Printed late 19th century. [Bartsch 22 (copy)]. More
Etching on cream wove paper, 3 1/2 x 2 7/8 inches (87 x 60 mm), narrow margins. A 19th century copy. More
1722. Chiaroscuro woodcut on cream laid paper, laid down to a cream laid paper matrix (as issued), printed from three blocks in dusky pink, olive green and grayish blue, with a gold border and pink watercolor frame. Printed area measures 6 11/16 x 4 5/8 inches (170 × 117 mm)..... More
