London: R. Bowyer, 1809. Aquatint with hand coloring in watercolor with engraving on cream wove paper, 9 3/8 x 13 inches (238 x 330 mm), partially trimmed to full margins. In good condition with some minor mat tone and age tone. From Views in the Ottoman Dominions, in Europe, in..... More
Paris: Pierre Langlume, c 1820. Lithograph on cream wove paper, 13 7/8 x 9 3/4 inches (350 x 247 mm), margins trimmed. Scattered foxing and surface soiling with handling creases and an approximately 3-inch vertical edge tear at the top center sheet edge that extends downward into the image area..... More
Paris: Pierre Langlume, c 1820. Lithograph on cream wove paper, 14 1/2 x 9 3/4 inches (367 x 246 mm), margins trimmed. Adhered to a wove paper support, scattered moderate staining, foxing and surface soiling. There is a loss at the lower left corner, top left corner, and minor losses..... More
Paris: Henri Charpentier, 1861. Lithograph and engraving with hand coloring in watercolor on cream wove paper, 9 3/8 x 14 1/8 inches (237 x 358 mm) (image area). The sheet is trimmed to exclude the title in the lower margin, there is scattered light surface soiling, mostly visible on the..... More
c1880. Heliogravure with soft varnish on Japan paper, 7 5/8 x 6 1/2 inches (192 x 164 mm), full margins. In good condition with some very minor handling wear, uniform toning, and one spot of light foxing in the upper left sheet margin, recto, well outside of image area. [Exteens..... More
Brussels: J. Bouwens, 1867. Etching with aquatint and engraving on laid Japan paper, 9 3/4 x 6 1/2 inches (247 x 163 mm), full margins. Fifth state (of 5). Scattered moderate foxing. An illustration for "The Legend and the Adventures of Ulenspiegel and Lamme Goedzak" by Charles de Coster. An..... More
1656. Engraving with hand coloring and heightening in watercolor on two leaves of expertly conjoined handmade laid paper, one leaf with a large watermark a feathered dragon, 7 1/4 x 11 1/4 inches (183 x 285 mm). In excellent condition with superb coloring and heightening. The pigments and ink are..... More
c1940. Aquatint with handcoloring in watercolors on smooth cream wove paper, 14 x 10 3/4 inches (350 x 271 mm), full margins. Signed and titled in pencil, lower margin. In very good condition with minor toning. Colors are lovely and fresh. More
London: Seeley & Co., 1882. Etching and engraving on watermarked WBW Portfolio cream laid paper, 10 1/4 x 7 1/2 inches (260 x 190 mm), full margins. Minor mat tone, and moisture staining at the top corner-tips (well outside of image area), scattered minor adhesive residue in the lower sheet..... More
London: Seeley & Co., 1880. Etching and engraving on watermarked WBW Portfolio cream laid paper, 10 1/8 x 7 inches (255 x 175 mm), full margins. Minor mat tone and with the tip of the lower right corner missing, otherwise in very good condition. From The Portfolio, vol. 11, edited..... More
London: J.S. Virtue & Co. Limited, 1880. Etching with engraving on buff wove paper, 8 12 x 6 inches (215 x 150 mm), full margins. Signed in the image, lower left. In very good condition with an unrecognizable ink stamp in purple on the verso. An attractive etched Victorian image..... More
1902. Etching with aquatint on buff laid watermarked Van Gelder Zonen paper, 12 9/16 x 9 1/16 inches (319 x 230 mm), full margins. Signed, titled and numbered 33/100 in pencil, lower margin. Minor uniform toning, minor mat tone, and one 1/4-inch vertical edge tear in the lower center sheet..... More
1881. Etching with drypoint on handmade laid Japan paper, 8 7/8 x 11 7/8 inches ( 224 x 298 mm), full margins. Signed in pencil, lower margin, recto. In excellent condition. More
Donald Shaw MacLaughlan, 1920. Etching with drypoint printed in sepia ink on cream laid paper bearing an indiscernible watermark with linked spheres. 10 1/4 x 13 1/8 inches (260 x 332 mm), unevenly trimmed yet full margins. Signed and titled in pencil, lower margin. Moderate toning in the area of..... More
Paris: Sagot, c 1910. Etching with drypoint on watermarked buff wove M.L.C. Annonay paper, 6 x 8 5/8 inches (152 x 218 mm), full margins. Signed and titled in pencil in the lower margin, and with the Sagot blind stamp (Lugt 2254) in the lower right margin under the signature..... More
c 1799. Etching on buff laid paper with a partial indiscernible watermark, 5 3/8 x 7 7/8 inches (135 x 197 mm), full margins. In very good condition with some minor scattered spots of foxing in the margins. Some pencil notations in the margins on the recto, well outside of..... More
1835. Lithograph on cream wove paper, 12 3/4 x 9 1/8 inches (322 x 231 mm), margins trimmed. Some scattered light foxing on the verso, handling creases, and adhesive residue along the top sheet edge, and left sheet edge, verso. Recto is clean. Born in Bordeaux in 1804, Adrien Dauzats..... More
Pen and sepia ink wash on cream laid paper, 4 1/8 x 6 3/16 inches (103 x 152 mm). In good condition with scattered areas of light brown discoloration, and uniform age tone. Condition consistent with age. More
c 1750. Engraving on buff laid paper, 6 1/2 x 10 1/8 inches (164 x 267 mm), unevenly trimmed margins (approximately 1/8 inch). In good condition with scattered areas of light yellow discoloration on the verso. Marks are unobtrusive and are only slightly visible on the recto, especially in the..... More
c 1786. Etching and engraving with hand coloring in watercolor on laid paper with an E and R watermark. 8 3/8 x 12 3/4 inches (212 x 323 mm), full margins. Minor condition points include the plate number appearing attenuated in the lower right image area, a small graphite mark..... More
c. 1925. Drypoint etching in black ink on heavy cream wove paper, 6 5/8 x 8 1/8 inches (167 x 203 mm), full margins. Signed and titled in pencil in the lower margin. In very good condition with minor mat and light tone. Scattered unobtrusive framer's notations in pencil in..... More
Boston: The Frederick J. Quinby Company, 1902. Etching in black ink on cream wove paper, 5 5/8 × 4 5/16 inches (143 × 111 mm), full margins. Signed in the plate, lower right. 5th and final state (published), edition of 1000. In very good condition with extremely minor scattered surface..... More
c 1730. Chiaroscuro woodcut with underlying engraving on cream laid paper, printed from two blocks in brown and olive. 10 1/4 x 12 3/4 inches (260 x 321 mm) (plate), full margins with the text printing clearly below in black ink. In very good condition with scattered surface soiling and..... More
Rome: Nicolas van Aelst, 1613. Engraving on cream laid paper with a foolscap watermark, 11 1/4 x 8 inches (282 x 203 mm), thread margins. Scattered expert repairs including minor pulp patches, minor rubbing and one 1/4 inch area of in-painting in the top left margin, in the area of..... More