London: The Golden Cockerel Press, 1946. First, Limited Edition. Crown 8vo., 7 3/8 x 5 in. (188 x 126 mm); pp. [4] + 150 + [6]. 11 wood engravings (made on active service) by John O'Connor (1913-2004), and with an introduction by Dorothy Rutter (1892-1961). Quarter blue buckram with decorative..... More
Waltham Saint Lawrence: Golden Cockerel Press, 1926. Rene Ben Sussan. Limited Edition. 12mo; 7 3/4 x 5 in (200 x 130 mm). Pp.(viii), 18, colophon (verso blank), (viii) + 2 engraved images (1-17) in sepia, brown and grey-blue ink by René Ben Sussman. Quarter bound cream buckram, spine lettered in..... More
Waltham Saint Lawrence: Golden Cockerel Press, 1934. Eric Gill. Limited Edition. Slim 8vo; 8 3/4 x 4 1/2 in. (224 x 112 mm); (vi),16 pp., (vi); printed on Arnold paper, in black ink using Eric Gill's Perpetua Roman and Felicity Italic types; wood-engraved title device, illustration and gilt initials on..... More
c 1510. Engraving on cream laid paper laid down to wove paper, 4 1/4 x 2 5/8 inches (109 x 68), thread margins. Scattered discoloration and uniform age tone, all consistent with age. Initials in ink in the top right on the verso, as well as a shield with three..... More
London: George Baxter, c 1850. Oil lithograph in colors on light card stock, 1 7/8 x 1 inches (47 x 24 mm), printed to the margins, as issued. Signed and titled in another hand in ink on the mat, and alternately titled in ink on the verso. Colors are moderately..... More
George Baxter, c 1850. Oil lithograph in colors on light card stock, 1 7/8 x 1 inches (47 x 24 mm), printed to the margins, as issued. Colors are attenuated and the image shows toning throughout. Mat tone, and affixed to the mat at the top edge with a paper..... More
London: George Baxter, c 1850. Oil lithograph in colors on light card stock, 1 7/8 x 1 inches (47 x 24 mm), printed to the margins, as issued. Signed and titled in another hand in ink on the mat. Colors are attenuated and the image shows toning throughout. Mat tone..... More
London: George Baxter, c 1850. Oil lithograph in colors on light card stock, 1 7/8 x 1 inches (47 x 24 mm), printed to the margins, as issued. Signed and titled in another hand in ink on the mat. Colors are attenuated and the image shows toning throughout. Mat tone..... More
London: George Baxter, c 1850. Oil lithograph in colors on light card stock, 1 7/8 x 1 inches (47 x 24 mm), printed to the margins, as issued. Signed and titled in another hand in ink on the mat. Colors are moderately attenuated and the image shows toning throughout. Minor..... More
London: George Baxter, 1842. Oil lithograph in colors with engraving on cream wove paper, laid down to card stock, 7 3/8 x 4 3/8 inches (195 x 120 mm) full margins. Scattered moderate but light colored foxing throughout, with surface soiling and slightly attenuated colors. Presented in the original black..... More
![798 Lucrece [The Rape of Lucrece]. William DOVES PRESS / Shakespeare](/pictures/thumb/798_1.jpg?v=1669752662)
Hammersmith: The Doves Press, 1915. Limited Edition. Small 4to, 9 1/4 x 6 1/2 inches (235 x 166 mm); xii + 76 + colophon + errata + xiv pp.; printed in black and red ink; pages clean and bright, with no foxing or staining. Colophon and list of corrections to..... More
Boston: Frederick J. Quinby Company, 1902. Etching on cream wove paper, 5 7/8 x 4 3/8 inches (150 x 111 mm), full margins. In very good condition with minor light discoloration along the extreme edges. A charming illustration from Paul de Kock's novel "Frère Jacques," vol. 1. An impression of..... More
c 1800. Ink wash and black crayon on bluish wove paper, 12 1/8 x 17 1/8 inches (307 x 434 mm), full margins. Laid down to a non archival 19th century support. Uniform toning, pigements slightly attenuated, otherwise in very good conditon. More
c 1820. Ink wash with watercolor in sepia and black, and blue, on buff wove watercolor paper, 14 1/4 x 10 1/4 inches (360 x 260 mm). 1/4" of the lower right corner is lost, minor crack (does not present through to the verso) in the area of the doorway..... More
c 1866. Etching with drypoint and engraving on Japan paper, 11 5/8 x 8 3/8 inches (294 x 212 mm), full margins. A later impression of this image which includes remarque in the margins may be found in the permanent collection of the Rijks Museum, Amsterdam. Although the identity of..... More
Paris: Henri Charpentier, 1861. Oil stick color lithograph on cream wove paper, 9 3/8 x 14 1/8 inches (237 x 357 mm), lower margin trimmed to exclude the title which otherwise appears in the lower center sheet. There is a 2-inch repaired tear on the verso in the top center..... More
Paris: Alfred Cadart, c 1890. Etching with drypoint and engraving on watermarked D & C Blauw laid paper, 7 3/4 x 11 inches (195 x 278 mm). Scattered toning and handling wear in the margins, including a 1-inch vertical tear in the top center sheet edge. All condition issues are..... More
c 20th century. Etching on hand made laid paper with a partial watermark, 3 7/8 x 5 7/8 inches (98 x 148 mm), full margins. Signed and titled in pencil, lower margin. With a reciept indicating the work is ex-collection The Old Curiosity Shop, the 16th century mercantile immortalized by..... More
1845. Etching on Chine-collé mounted to heavy wove paper, 3 1/8 x 4 1/2 inches (758 x 108 mm), full margins. Signed and dated in the plate, upper right. In good condition with minor mat tone. An impression of this work can be found in the collection of the British..... More
c 1850. Etching on Chine-collé mounted to heavy wove paper, 3 11/16 x 3 5/8 inches (93 x 90 mm), full margins. Signed in the plate, lower right. With various scattered light areas of yellow discoloration in the margins, well outside of image area. An impression of this work can..... More
London: R. Ackerman, 1824. Lithograph on cream wove paper, 9 3/4 x 12 inches (247 x 303 mm), margins are trimmed but wide. In good condition with some minor uniform toning and surface soiling, unevenly trimmed margins, and adhesive residue from a former mount at the top right and left..... More
London: William Monk & Elkin Mathews, 1903. Etching and aquatint on Japan paper, 8 x 11 inches (202 x 278 mm), wide margins, sheet trimmed to exclude the calendar. Signed in pencil, lower margin. This image was utilized for the first issue of "Monk's Calendar," which was a publication for..... More
c 1600. Engraving printed in black ink on hand-made, thin-laid paper, 3 5/8 x 3 5/8 inches (84 x 84 mm), 3/4 inch margins. In excellent condition, printed 19th century. More
