London: Doves Press, 1910. Limited Edition. Small 4to, 9 1/8 x 6 3/8 in. (230 x 160 mm); 203 + [7] pp.; one of 250 copies, with an additional 15 on vellum, faint spotting on endpapers. Printed on Doves 2B paper watermarked with circle enclosing two doves over T. J...... More

Hammersmith: The Doves Press, 1915. Limited Edition. Small 4to, 9 1/4 x 6 1/2 inches (235 x 166 mm); xii + 76 + colophon + errata + xiv pp.; printed in black and red ink; pages clean and bright, with no foxing or staining. Colophon and list of corrections to..... More

Hammersmith: Eragny Press, 1906. Lucien Pissarro. First, Limited Edition. Octavo, 8 x 5.25 in (203 x 133 mm); pp: dedication + wood-engraved color frontispiece + 60 + colophon with press mark. One of 175 copies on Arches hand-made paper, from an edition limited to 185, printed in red and black;..... More

Waltham Saint Lawrence: Golden Cockerel Press, 1935. John Nash. Limited Edition. 4to, 10 x 7 1/2 in (250 x 185mm); 54 pp.; 5 wood-engraved illustrations by John Nash, including title page; printed on Batchelor hand-made paper. Half green morocco binding by Sangorski & Sutcliffe, London, spine lightly sunned; handsome marbled..... More

London: Golden Cockerel Press, 1934. Hughes-Stanton, Blair. First, Limited Edition. 8vo.; 9 1/2 x 6 in. (242 x 151 mm); 70 pp. Four wood-engravings by Blair Hughes-Stanton, printed on Batchelor paper in 14 pt. Golden Cockerel Type. 1/4 black morocco binding with special cream cloth boardprinted in red incorporating the..... More

Waltham Saint Lawrence: Golden Cockerel Press, 1934. Eric Gill. Limited Edition. Slim 8vo; 8 3/4 x 4 1/2 in. (224 x 112 mm); (vi),16 pp., (vi); printed on Arnold paper, in black ink using Eric Gill's Perpetua Roman and Felicity Italic types; wood-engraved title device, illustration and gilt initials on..... More

Waltham Saint Lawrence: Golden Cockerel Press, 1926. Rene Ben Sussan. Limited Edition. 12mo; 7 3/4 x 5 in (200 x 130 mm). Pp.(viii), 18, colophon (verso blank), (viii) + 2 engraved images (1-17) in sepia, brown and grey-blue ink by René Ben Sussman. Quarter bound cream buckram, spine lettered in..... More

London: The Golden Cockerel Press, 1936. Robert Gibbings. First Edition. 5 x 3 5/8 in (125 x 90 mm); 23 pp.; title page printed in gold, the rest black in 110t Caslon's Old Face Type. 4 wood-engravings by ROBERT GIBBINGS. Red cloth binding, black title to spine, without its dust-jacket..... More

Waltham Saint Lawrence: Golden Cockerel Press, 1932. Eric Ravilious. Limited Edition. Small folio, 13 1/4 x 9 1/4 in (330 x 235 mm); pp. v +76 + colophon. This in no. 94 of 275 copies printed on Batchelor paper with Golden Cockerell watermark and set in Golden Cockerel type. Wood-engraved..... More

Waltham Saint Lawrence: The Golden Cockerel Press, 1928. Robert Gibbings. Limited Edition. Crown 4to, 10 1/4 x 7 1/2 in (257 x 192 mm); vii + 70 pp; printed in black with red title, on Batchelor hand-made paper with 11 pt. Caslon O.F. type. 12 wood engravings by Robert Gibbings..... More

Hammersmith: Kelmscott Press, 1894. Limited Edition. Octavo, 8 1/4 x 5.5 in (206 x 140 mm) 392 pp. Edited by F.S. Ellis. One of 300 copies on Flower paper, printed in red and black in Golden type, wood-engraved borders and initials designed by William Morris, neat contemporary ink inscription to..... More

Hammersmith: Kelmscott Press, 1891. First, Limited Edition. Small 4to, 8 x 5 7/8 inches (205 x 145 mm); pp. vi +197. One of 300 on Flower paper; printed in Golden type, THIS IS THE FIRST book printed by KELMSCOTT IN TWO COLORS; it is also the first book to feature..... More

Verona: Officina Bodoni, 1972. Limited Edition. Octavo, 9 7/8 x 6 1/2 in (250 x 165 mm); 2 volume set in slipcase. Vol. 1, pp. 280, with 68 hand-colored woodcuts; Vol. 2, pp. 120. Set in Centaur type and printed on hand-made Magnani paper with goose watermark. Original morocco-backed vellum..... More