Paris: Administration Foire de Paris, 1929. First Edition. 8vo, 8 5/8 x 4 7/8 inches (218 x 122 mm); 880 pp, + 64 pp supplement. Two color printed advertisement cards attached by a ribbon, one clear sheet specimen advertising the invention of cellophane, and foldout map with advertisements tipped inside..... More
c 1930. Etching with drypoint on lightweight cream laid paper, 3 7/8 x 4 1/8 inches (98 x 105 mm), full margins. Very light age tone at sheet corners, and one light inky fingerprint on the verso, lower center margin, not visible on recto. Top-right corner has a soft dog-ear..... More
Netherlands: c 1930. Etching on cream laid paper, 3 7/8 x 3 inches (97 x 75 mm), full margins. Area of inking imperfecton in the form of a light colored intermittent band, running in a slight diagonal across the lower portion of the sheet, unobtrusive and well outside of the..... More
Netherlands. Etching and drypoint on cream wove paper, 6 7/8 x 4 7/8 inches (174 x 123 mm), full margins. In very good condition with minor scattered areas of adhesive residue, upper right sheet edge, well outside of image area. More
New York: 1950. Etching on cream wove paper, 5 15/16 x 7 7/8 inches (151 x 200 mm), full margins. Light inky fingerprints on the verso at the lower left corner, and some very light scattered surface soiling throughout on the recto. Inking anomalies in the left quadrant of the..... More
c1930. Etching on buff wove arches paper with a deckle edge, 7 x 4 7/8 inches (178 x 125 mm); sheet 15 x 11 mm (381 x 280 mm), full margins. With scattered light and unobtrusive areas of gray discoloration along the extreme left sheet edge, well outside of the..... More
c1930. Etching on buff wove arches paper with a deckle edge, 7 x 4 7/8 inches (178 x 125 mm); sheet 15 x 11 mm (381 x 280 mm), full margins. A clean impression in very good condition. More
c1930. Etching on buff wove arches paper with a deckle edge, 7 x 4 7/8 inches (178 x 125 mm); sheet 15 x 11 mm (381 x 280 mm), full margins. With scattered light areas of brown discoloration on the verso, which do not present on the recto. Otherwise in..... More
c1930. Etching with drypoint on cream wove paper with a deckle edge, 6 7/8 x 4 7/8 inches (200 x 125 mm); sheet 15 x 11 inches (380 x 280 mm), full margins. In excellent condition with minor age tone. More
c 1925. Etching with drypoint on cream laid paper, 11 5/8 x 17 3/8 inches (295 x 440 mm), full margins. Signed in pencil, lower right. Some toning on the verso, with the sheet adhered at points around the perimeter to a non archival board. The recto is clean and..... More
c 1905. Watercolor and pencil on buff wove watercolor paper, 10 x 8 inches (255 x 203 mm). In good condition with overall minor toning. Some watercolor paint splatters on the verso, contemporaneous with the painting itself. More
c1960. Ink and wash on cream wove watermarked Bond paper, 5 1/4 x 4 inches (132 x 100 mm), the full sheet. In good condition with some uniform age tone and cockling. Non-archival tape tabs at all four corners, and at the center sheet edges, on the verso; the remnants..... More
1925. Etching on antique cream laid paper, 7 7/8 x 5 1/8 inches (201 x 130 mm), full margins. Edition of 150. Printed by Federick Reynolds. Signed and dated in pencil, lower right. Arms was assisted in the completion of this plate by Kerr Eby. In very good condition with..... More
1928. Etching on antique laid paper, 6 9/16 x 3 15/16 inches (167 x 100 mm), signed and dated in pencil, lower margin. Potentially a trial proof impression aside from the unsigned edition of 1459. Non-archival tape residue along the top and bottom sheet edges, recto, well outside of image..... More
1927. Etching on antique handmade laid paper, 9 5/8 x 4 1/4 inches (246 x 109 mm), full margins. Signed and dated (1928) in pencil, lower margin. Printed by Frederick Reynolds. In very good condition with some marginal toning around the extreme sheet edges. An excellent, inky impression. [Fletcher 207]..... More
1944. Etching on bluish-grey, antique laid paper, 5 x 3 5/8 inches (127 x 93 mm), signed, dated, and inscribed "III" in pencil, lower margin. A proof impression from the third state (of 3), after the reduction of the plate, and before the regular edition of 72. Printed by David..... More
1943. Etching on cream laid paper, 3 1/2 × 1 3/4 inches (89 × 44 mm), full margins. Signed in pencil and inscribed "Trial State III." No visible defects, with an unevenly trimmed sheet. A beautifully inked impression with all of the fine details printing clearly. Born in 1887 in..... More
1944. Etching on cream laid paper, 3 3/16 x 1 9/16 inches (81 x 41 mm), full margins. Signed, dated, and inscribed "II" in pencil, lower margin. From the second state (of 2) before the reduction of the plate. Fletcher states a total of three trial proofs, an unknown number..... More
1944. Etching on cream wove paper, 3 3/16 x 1 9/16 inches (81 x 41 mm), full margins. Signed, dated, and inscribed "II" in pencil, lower margin, and with an inscription and dedication in the artist's hand in the lower margin. From the second state (of 2) before the reduction..... More
1938. Etching with aquatint on cream wove paper, 1 3/4 x 5 inches (178x 127 mm), full margins. Signed, dated and inscribed "Ed. 150" in pencil, lower margin. Second state (of 3), before the addition of drypoint and the ornament on the reredos. Although this impression is inscribed with an..... More
The Minature Print Society of Kansas City, Mo. 1942. Etching on cream colored Japon wove paper, 2 1/4 x 2 15/16 inches (58 x 75 mm), full margins. Signed, dated and inscribed "II" in pencil in the lower margin. In excellent condition. One of nine trial proof impressions of the..... More
1942. Etching on Japon paper, 3 1/2 x 1 3/4 inches (89 x 44 mm), full margins. Signed in pencil and inscribed "III" in the lower margin. Likely an unrecorded trial proof impression from the first state (of 3), before the trimming of the plate (Fletcher states only two trial..... More
1925. Etching on cream wove Japon paper, 7 3/8 x 7 3/4 inches (188 x 197 mm), full margins. Signed and dated in pencil, lower margin. In excellent condition with some minor surface soiling on the recto, as well as inscriptions in pencil at the left and right corners, verso..... More
1938. Etching on antique Emberlin 1846 cream laid paper with a parial watermark of Britannia, or Seated Victory, set in a cartouche, surmounted by the Crown of England, 3 1/4 x 5 1/2 inches (83 x 140 mm), full margins. Signed, dated, and inscribed "Ed. 150 II," in pencil, lower..... More
