Entrance of the Yellow River
London: The London Printing and Publishing Company, LTD., 1843. Engraving on cream wove paper, 8 x 10 3/4 inches (202 x 272 mm) sheet, full margins. In overall good condition with light toning at the sheet edges. More
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Kite Flying at Hae-Kwan, on the Ninth Day of the Ninth Moon
c1870. Engraving with hand coloring in watercolor on cream wove paper, 8 1/4 x 11 3/8 inches (210 x 289 mm), full margins (sheet). With a hard vertical crease in the left sheet quadrant extending through the image, with an associated repair on the verso. Colors remain vibrant and fresh..... More
Sleeping Herdsman
Paris: 1644. Etching and engraving on high quality buff wove paper 4 7/8 x 4 1/2 inches (124 x 114 mm); sheet 12 5/8 x 12 1/2 inches (321 x 318 mm), the full sheet. In very good condition with the artist's moniker in the image in the lower right..... More
The Triumph of Caesar: Plate IV
1599. Chiaroscuro woodcut in colors printed from four blocks on laid paper in dark brown, grey, and three shades of ochre, 14 1/2 x 14 1/2 inches (370 x 370 mm), the full sheet. A very good impression with gaufrage clearly visible on the verso, trimmed to the platemark. A...... More
The Triumph of Caesar: Plate IV of IX
1599. Chiaroscuro woodcut in colors printed from four blocks on laid paper in dark brown, grey, and three shades of ochre, 14 1/2 x 14 1/2 inches (370 x 370 mm), the full sheet. A very good impression with gaufrage clearly visible on the verso, trimmed to the platemark. A...... More
Transbombardment des vestes de l'Empereur Napoléon à Cherbourg
1840. Engraving on Chine collé mounted to wove paper 9 x 12 1/8 inches (230 x 308 mm), the full sheet. Uniform toning and some light scattered mottling. Lower right corner has detached from the matrix. More
Bronze Urns with Citrus Trees, 2 prints
1673. Pair of reproductive prints after Jean le Pautre’s engravings after Claude Ballin, 1670s, heightened with gouache and gold, on Fabriano wove paper, a deckle edge at bottom. 22 x 14 3/4 inches (560 x 374 mm). Two prints. Claude Ballin (1615-1678). More
Jan Six
Paris: Henri Louis Basan, c1810. Etching on thin laid paper laid down to mid-weight Japon paper, 9 5/8 x 7 9/16 inches (244 x 190 mm), narrow to thread margins. Lettered below the image in the lower right margin with Rembrandt's facsimile signature and date: "Rembrandt f. 1647." On the..... More
Voyage en poste; Galerie du Palais Royal
Paris: J P Quénot, c1830. Stipple point engraving with extensive hand coloring in watercolor on Chine collé mounted to white wove paper with a deckle edge, 10 x 15 3/4 inches (252 x 399 mm); sheet 16 x 22 1/4 inches (405 x 564 mm). With the blind stamp of..... More
Old man with a long beard and cap.
1640. Etching on cream laid paper, 3 x 2 1/4 inches (76 x 57 mm), margins. In very good condition with some minor losses at the extreme lower right corner. Pencil inscriptions on the verso. Formerly attributed to Rembrandt (B.295), now recognized as being in the manner of Rembrandt by..... More
Group of seven (7) prints from Engravings of Plants
1692. Each a lithograph with hand coloring on watermarked Arches wove paper with a deckle edge. Each 16 1/4 x 12 1/4 (412 x 312 mm); sheet 26 x 19 3/4 inches (661 x 502 mm), each with full margins. Specimens include Alliarai; Ellebore; Lunaria; Sisymbrium. There are two impressions..... More
The Smokers' Rebellion (The Edict of William The Testy)
Paris: Goupil & Co., c1880. Photogravure and engraving on Chine collé mounted to wove paper, 11 5/8 x 16 1/4 (295 x 413 mm), the full sheet. Scattered rust-colored discoloration at the bottom of the sheet, extending in a bow into the margin, but well outside of the image area..... More
The Monument of London in Remembrance of the Dreadful Fire of 1666
John Bowles & Richard Wilkinson, 1751. Steel engraving with extensive hand coloring in watercolor on cream wove paper, 10 1/4 x 16 inches (260 x 406 mm), 1/4-inch margins. Significant insect damage only in the lower right corner, resulting in the loss of the corner, which has been expertly repaired..... More
The Vale of Ting-hai, Chusan
London: The London Printing and Publishing Company, LTD., c1843. Engraving on cream wove paper, 8 x 10 3/4 inches (202 x 272 mm) sheet, full margins. In overall good condition with light toning at the sheet edges, and scattered areas of light brown discoloration. More
Christ and the Woman of Samaria Among Ruins
London: c 1775. Etching on light cream laid paper, 4 3/4 x 4 1/8 inches (120 x 105 mm), thin margins. In superb condition with all of the fine lines printing clearly. [Bartsch 71, copy; New Hollstein 127, copy e]. More
Young Man in a Velvet Cap (Ferdinand Bol).
c 1775. Etching and drypoint on heavy cream laid paper, 3 3/4 x 3 1/4 inches (96 x 83 mm), narrow margins. In very good condition with some minor surface soiling. [Björklund's second state (of 2) copy]. More
The Queen's Entrance into Edinburgh
Paris: A. Durand, 1878. Etching on watermarked Van Gelder Portfolio cream laid paper,10 1/4 x 7 1/4 inches (260 x 183 mm); sheet 14 1/4 x 10 1/4 inches (360 x 260 mm), full margins. Minor mat tone, as well as adhesive residue from a former mount at the extreme..... More
Fountains Abbey, Yorkshire: Chapel of the Nine Altars, from The Portfolio
London: Seeley & Co., 1882. Etching and engraving on watermarked WBW Portfolio cream laid paper, 10 1/4 x 7 1/2 inches (260 x 190 mm), full margins. Minor mat tone, and moisture staining at the top corner-tips (well outside of image area), scattered minor adhesive residue in the lower sheet..... More
Saint Simon, from Christ and the Apostles
Paris: Melchior Tavernier, c 1620. Chiaroscuro woodcut on cream laid paper, printed from three blocks in black, olive-green, and yellow ochre, 8 3/16 x 6 1/4 inches (207 x 157 mm), thread margins. Some scattered light discoloration throughout, lightly backed with laid paper, however the sheet retains translucence when viewed..... More
Apollo, plate 11 from the series of The Gods in Niches
Rome: Carlo Losi, 1526. Engraving on cream laid paper, 8 1/2 x 4 3/8 inches (215 x 110 mm), thread margins. In very good condition with a strip of archival paper adhered at the verso along the right sheet edge. Fourth state (of 4), printed c1780. More
Sapientia Martem depellente Pax et Abundantia cogaudent; Mars driven away from Peace and Abundance by Minerva
1589. Engraving on handmade laid paper, 7 7/16 x 9 7/8 inches (190 x 250 mm) (the full sheet), with slightly trimmed margins, just inside the platemark (-5 mm). In very good condition with some very minor mottled light staining on the verso, perhaps adhesive residue from a former mount..... More
Hercule Gaulois, ou L’Éloquence
c 1729. Chiaroscuro woodcut printed from two blocks in beige and olive with etching and aquatint on cream laid paper, 11 1/8 x 10 inches (281 x 252 mm) (plate), full margins with the text printing clearly below in olive ink. In very good condition with no visible defects other..... More
The South East Prospect of Westminster Bridge
1747. Copper plate engraving with hand coloring on cream laid paper with the Arms of France watermark (a crown in shield topped by a fleur-de-lys and the letters GR), 22 3/4 x 15 3/4 inches (576 x 400 mm), wide to full margins. Multiple vertical and horizontal creases from folding..... More
En Vue de Tanger
Paris: Alfred Cadart, c 1890. Etching with drypoint and engraving on watermarked D & C Blauw laid paper, 7 3/4 x 11 inches (195 x 278 mm). Scattered toning and handling wear in the margins, including a 1-inch vertical tear in the top center sheet edge. All condition issues are..... More
Master B. Finding things are not exactly what he expected-; From, The Progress of a Midshipman, Exemplified in the Career of Master Blockhead 1860 (plate 2)
Etching with handcoloring in watercolor on cream wove paper, 1835. 210 x 290 mm; 8 3/8 x 11 1/2 inches, full margins. Printed and published by Thomas McLean, 26 Haymarket, August 1st, 1835. Second and final edition. Signed and in the plate by Cruikshank, and bearing Frederick Marryat's anchor monniker..... More