c 1800. Ink and brown wash on paper, 7 1/8 x 10 1/4 inches (180 x 260 mm). Presented elegantly in a gold and cinnabar wood frame. Primo pensiero in graphite visible in various places including in the area of the hills and windows. In very good condition with some..... More
Pen and ink with black and brown ink and brown wash on buff wove paper, 10 3/8 x 9 3/8 inches (262 x 232 mm), the full sheet. Signed in brown ink in the lower right image area. In very good condition with some minor toning. Samuel Prout was born..... More
Paris: 1839. Color lithograph on medium-weight cream wove paper, 15 3/4 x 11 inches (400 x 278 mm), full margins. In good condition with some toning at the top margins, and general light, scattered surface soiling. Prout created this lithograph after one of his own watercolors for inclusion in Sketches..... More
London: R. Bower, 1825. Aquatint with hand-coloring in watercolor on cream wove paper, 10 3/4 x 13 5/8 inches (273 x 346 mm), full margins. Plate No. 8 from a collection of fac-similes of watercolors by Prout. . A market scene; the spot on which the execution of Joan of..... More
c 1850. Pencil on cream wove paper, 3 x 4 3/8 inches (75 x 105 mm), adhered to a cream wove paper mount, signed in pencil on the mount beneath the image. With a partial sketch of tents on the verso with associated notations. Inscribed "S. Prout" in pencil in..... More
London: Hodgson & Graves, 1839. Lithograph with engraving in colors on cream wove paper, 20 3/4 x 14 3/8 inches (521 x 364 mm), full margins. Scattered light surface soiling on the recto and verso, minor toning, and two small strips of non-archival tape at the top right and left..... More
London: R. Ackerman, 1824. Lithograph on cream wove paper, 9 3/4 x 12 inches (247 x 303 mm), margins are trimmed but wide. In good condition with some minor uniform toning and surface soiling, unevenly trimmed margins, and adhesive residue from a former mount at the top right and left..... More