London: Thomas Bensley, 1805. Etching and engraving with hand coloring in watercolor, 10 1/4 x 8 inches (260 x 204 mm) the full sheet, margins trimmed. In very good condition with extremely fresh and saturated coloration. Likely printed late 18th century. More
1800. Copper engraving with hand coloring in watercolor on wove paper, 10 1/2 x 8 inches (297 x 203 mm), the full sheet, trimmed at the platemark. In good condition with minor scattered toning and trimmed margins. Likely printed late 19th century. More
1673. Pair of reproductive prints after Jean le Pautre’s engravings after Claude Ballin, 1670s, heightened with gouache and gold, on Fabriano wove paper, a deckle edge at bottom. 22 x 14 3/4 inches (560 x 374 mm). Two prints. Claude Ballin (1615-1678). More
Paris: Sidney Lucas Gallery, 1843. Lithograph in colors with engraving on cream wove paper, 12 1/2 x 9 1/2 inches (318 x 242 mm), the full sheet, full margins. In good condition with minor toning. Printed 20th century. The Sidney Lucas Gallery specialized in high quality restrikes from historical French..... More
Paris: Sidney Lucas Gallery, 1843. Lithograph in colors with engraving on cream wove paper, 12 1/2 x 9 1/2 inches (318 x 242 mm), the full sheet, full margins. In good condition with minor toning. Printed 20th century. The Sidney Lucas Gallery specialized in high quality restrikes from historical French..... More
Weimar: c1810. Copperplate engraving with hand-coloring in gum arabic and watercolor on cream laid paper, 10 1/8 x 7 7/8 inches (258 x 200 mm), the full sheet, full margins. In very good condition with minor drips of watercolor (maybe innate), and some handling wear, all consistent with age. A...... More
1692. Each a lithograph with hand coloring on watermarked Arches wove paper with a deckle edge. Each 16 1/4 x 12 1/4 (412 x 312 mm); sheet 26 x 19 3/4 inches (661 x 502 mm), each with full margins. Specimens include Alliarai; Ellebore; Lunaria; Sisymbrium. There are two impressions..... More
London: B.S. Williams / Victoria & Paradise Nurseries, 1882. Chromolithograph with hand coloring on cream wove paper, 12 x 9 1/4 inches (305 x 235 mm), the full sheet, wide full margins. In good condition with some mat tone and minor handling wear, yet colors remain fresh. From Robert Warner..... More
London: Lovell Reeve & Co., 1891. Chromolithograph with hand coloring on cream wove paper, 12 x 9 1/4 inches (305 x 235 mm), the full sheet, wide full margins. In good condition with some mat tone and minor handling wear, yet colors remain fresh. From Curtis's Botanical Magazine. More
London: B.S. Williams / Victoria & Paradise Nurseries, 1882. Chromolithograph with hand coloring on cream wove paper, 12 x 9 1/4 inches (305 x 235 mm), the full sheet, wide full margins. In good condition with a small loss at the lower right corner, some mat tone and minor handling..... More
London: B.S. Williams / Victoria & Paradise Nurseries, 1882. Chromolithograph with hand coloring on cream wove paper, 12 x 9 1/4 inches (305 x 235 mm), the full sheet, wide full margins. In good condition with some mat tone and minor handling wear, yet colors remain fresh. From Robert Warner..... More
Ghent: Jean Linden, 1851. Chromolithograph on wove paper with handcoloring in watercolor, 10 3/4 x 7 1/8 inches (273 x 161 mm), the full sheet, full margins. In good condition with minor uniform toning and several areas of light discoloration, and remnants from a previous binding along the right sheet..... More
London: Sir Joseph Paxton / Bradbury & Evans, 1848. Lithograph with hand coloring in watercolor and gouache on wove paper, 9 1/4 x 6 1/4 inches (235 x 158 mm), the full sheet, full margins. In excellent condition with minor toning at the sheet edges, and remnants from the former..... More
1702-1725. Four (4) reproductive prints with handcolouring on thick C.M. Fabriano cotton wove paper, 19 9/16 x 13 1/2 inches (498 x 343 mm). Two impressions of Aranzo Gigante Verrucoso and two impressions of Limon di Fior Doppio, with variations in the hand coloring. More