Chartres; Cathedral of Notre Dame from the River
1927. Etching on handmade Japon paper with a deckle edge, 13 1/8 x 9 7/8 inches (333 x 252 mm); sheet 18 1/4 x 13 3/4 inches (463 x 349 mm), full margins. Signed, dated and inscribed "Second State Trial Proof III" in pencil in the lower margin. This trial proof is the third impression (of only 3), aside from regular second state edition of 100. Two trial proofs of the first state exist, however, the regular first state was never published. Bottom margin very slightly trimmed, still leaving full margins, and an unobtrusive printing anomaly occurring as a fine line across the upper-right quadrant of the sheet, otherwise in superb condition. Printed by Frederick Reynolds.
[Fletcher 193].
Born in 1887 in Washington DC, John Taylor Arms studied at Princeton University, and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I, Arms served as an officer in the United States Navy, and it was during this time that he turned his focus to printmaking, having published his first etching in 1919. His first subjects were the Brooklyn Bridge, near the Navy Yard, and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy (the plate for Guardians of the Spire was created in 1921). He used what was available to him, namely sewing needles and a magnifying glass, to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war, Arms enjoyed a successful career as a graphic artist, created a series of etchings of American cities, and published Handbook of Print Making and Print Makers (Macmillan, 1934). He served as President of the Society of American Graphic Artists, and in 1933, was made a full member of the National Academy of Design. Arms died in Fairfield, Connecticut in 1953.
Item number: 2033
Price: $1,100.00
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