London: Thomas McLean, 1822. Soft-ground etching with hand-coloring in watercolor, 10 1/2 x 8 3/8 inches (266 x 213 mm), full margins. In good condition with uniform age tone, a minor edge nic at the left sheet edge (well outside of image area), and scattered light surface soiling. From the..... More
Philadelphia: J.B. Lippincott & Co, 1860. Lithograph and engraving with handcoloring in watercolor on white wove paper, 11 1/2 x 9 inches (290 x 230 mm) (Sheet), full margins. Chip at each of the corners, and at the left sheet edge, all well outside of image area. A single plate..... More
John Bowles & Richard Wilkinson, 1751. Steel engraving with extensive hand coloring in watercolor on cream wove paper, 10 1/4 x 16 inches (260 x 406 mm), 1/4-inch margins. Significant insect damage only in the lower right corner, resulting in the loss of the corner, which has been expertly repaired..... More
London: Charles Joseph Hullmandel, 1839. Oil stick color lithograph on cream wove paper, 14 3/16 x 11 inches; (360 x 280 mm), full margins. Scattered light yellow spots of discoloration throughout, more apparent on the verso. Non-archival tape on the lower sheet margin, and at the top right and left..... More
London: Baldwin & Craddock, 1820. Engraving with hand coloring in watercolor and collage on cream wove paper, 7 x 5 3/4 inches (187 x 145 m), margins significantly trimmed. Publishing information has been trimmed out of the bottom margin. Scattered foxing; adhered to grayish wove paper. Thomas Lord Busby’s 1820..... More
1747. Copper plate engraving with hand coloring on cream laid paper with the Arms of France watermark (a crown in shield topped by a fleur-de-lys and the letters GR), 22 3/4 x 15 3/4 inches (576 x 400 mm), wide to full margins. Multiple vertical and horizontal creases from folding..... More
c 1913. 8vo, 7 3/8 x 5 1/2 in. (187 x 140 mm). Hand-made Florentine Album with 150 pp of hand-made laid paper, most pages with calligraphy in black ink with some pencil and ink drawings and decorations throughout. Limp vellum binding with yapp edges, elaborate TM monogram to upper..... More
London: George Humphrey, 1825. Etching and engraving with hand coloring in watercolor on cream wove paper, 10 x 7 3/4 inches (252 x 195 mm), trimmed to the platemark. Siginificant condition issues include multiple repaired tears in the lower center sheet area, thick adhesive residue throughout on the verso, and..... More
London: J. Taylor, 1820. Etching and aquatint with engraving on cream wove paper with a gilded edge, 11 1/2 x 14 3/4 inches (290 x 374 mm), full margins. Small spots of adhesive residue from a former mount at each edge on the recto. Light ghost impression in the area..... More
London: J. Taylor, 1820. Etching and aquatint with engraving on cream wove paper with a gilded edge, 11 1/2 x 14 3/4 inches (290 x 374 mm), full margins. Small spots of adhesive residue from a former mount at each edge on the recto. Light ghost impression in the area..... More
Paris: Goupil, 1850. Aquatint with extensive hand coloring in watercolor, 8 3/8 x 5 3/4 inches, 222 x 145 mm, margins trimmed to the platemark. Lacking the text. Colors are vibrant and fresh. More
c1850. Lithograph with hand coloring in watercolor on cream laid paper, 3 1/2 x 3 inches (90 x 75 mm), trimmed to the plate. In good condition with uniform toning and edge wear. There is some adhesive residue on the verso with associated discoloration. Likely a Scottish or... More
London: James Whittle & Richard Holmes Laurie, 1814. Engraving with hand coloring in watercolor on wove paper, 11 1/2 x 17 1/4 inches (290 x 437 mm). Condition issues include significant creasing, toning, surface soiling and multiple paper tape repairs on the verso. Hand coloring is extensive and well saturated..... More
Engraving with hand coloring in watercolor on cream wove paper, 11 x 8 inches (280 x 203 mm), full margins. Light band of toning along the right sheet edge, well outside of image area. Otherwise in good condition with fresh color. More
Engraving with hand coloring in watercolor on cream wove paper, 11 x 8 inches (280 x 203 mm), full margins. Light band of toning along the right sheet edge, well outside of image area. Otherwise in good condition with fresh color. More
London: Thomas Malton, 1796. Aquatint printed in brownish ink with extensive hand coloring in watercolor on buff paper, 10 1/4 x 12 1/2 inches (260 x 317 mm) (sheet), uneven narrow to full margins. Laid down to a contemporary wove paper support. Scattered condition issues on the sheet (excluding the..... More
London: McLeary, c1850. Steel engraving with hand coloring in watercolor on cream wove paper, 8 3/4 x 7 3/4 inches (222 x 195 mm), margins trimmed to exclude the top of the sheet and the publisher's information. Uniform age tone. The text below reads: The Pedestrian Carriage or Walking Accelerator..... More
Paris: 1839. Color lithograph on medium-weight cream wove paper, 15 3/4 x 11 inches (400 x 278 mm), full margins. In good condition with some toning at the top margins, and general light, scattered surface soiling. Prout created this lithograph after one of his own watercolors for inclusion in Sketches..... More
London: R. Bower, 1825. Aquatint with hand-coloring in watercolor on cream wove paper, 10 3/4 x 13 5/8 inches (273 x 346 mm), full margins. Plate No. 8 from a collection of fac-similes of watercolors by Prout. . A market scene; the spot on which the execution of Joan of..... More
London: 1799. Copperplate stipple engraving with hand coloring in watercolor, 17 1/2 x 10 1/4 inches (445 x 260 mm) (sheet), full margins. In very good condition with some minor, light staining in the top margin, and very minor damage and small losses at the corners, well outside of the..... More
London: Rudolph Ackermann, 1808. Hand-colored lithograph, 9 1/4 x 11 inches (235 x 278 mm), margins trimmed 2 to 3 inches outside of platemark. Laid down to non-archival mat board with associated areas of adhesive residue and minor staining in the margins, as well as a 1-inch loss at the..... More
London: Robert Wilkinson, 1811. Copperplate engraving with hand coloring in watercolor, 12 1/4 x 17 inches (315 x 435 mm), full margins. Central fold, as issued. Handling creases and dog-eared corners at the lower right and left sheet edges, consistent with age. Coloration is moody and extensive. Likely from the..... More
London: Rudolph Ackermann, 1809. Aquatint and engraving with hand coloring in watercolor on cream wove paper, 9 1/4 x 11 inches (234 x 278 mm), full margins. With an unidentified blindstamp in the lower right margin. In excellent condition with very minor, natural toning on the verso, as well as..... More
London: T. Bensley for R. Bowyer, 1810. Hand-colored aquatint on cream wove paper, 9 x 12 3/8 inches (227 x 318 mm), full margins. Scattered light toning and a spray of light spots of discoloration in the lower left corner. One plate from Views in the Ottoman Dominions, in Europe..... More
London: T. Bensley for R. Bowyer, 1810. Hand-colored aquatint on cream wove paper, 9 x 12 3/8 inches (227 x 318 mm), full margins. Scattered light toning and a spray of light spots of discoloration in the lower left corner. One plate from Views in the Ottoman Dominions, in Europe..... More