c1835. Each 8 x 6 inches (202 x 150 mm), full margins. Each with scattered light handling wear, surface soiling, and each with a small bookworm hole in the lower left sheet, well outside of image area. Colors remain fresh. More
1904. Albumen silver print from glass negative, from the Atget's series on sculptures on the grounds of Versailles, annotated in the artist's hand in pencil on verso, "Versailles Bosquet de L'arc de Triomphe", with his inventory number '6479'; 1904; 8 1/2 X 7 inches (217 x 178 mm). Ex..... More
Albumen silver print from glass negative, from the artist's series on sculptures on the grounds of Versailles. Annotated in Atget's hand in pencil on verso "Versailles - Bosquet de L'arc de Triomphe - La France par Tuby" (sculpture by Jean-Baptiste Tuby), with his inventory number "6483"; 1904; 8 1/2 x...... More
1913. Etching and drypoint on the artist's own watermarked, hand made laid paper, 5 5/8 x 7 inches (144 x 178 mm), full margins. Signed in pencil, lower right margin. Minor age and moderate mat tone, scattered areas of adhesive residue along the top extreme sheet edge (from a former..... More
Paris: Henri Charpentier, 1861. Oil stick color lithograph on cream wove paper, 9 3/8 x 14 1/8 inches (237 x 357 mm), lower margin trimmed to exclude the title which otherwise appears in the lower center sheet. There is a 2-inch repaired tear on the verso in the top center..... More
Paris: Henri Charpentier, 1861. Lithograph and engraving with hand coloring in watercolor on cream wove paper, 9 3/8 x 14 1/8 inches (237 x 358 mm) (image area). The sheet is trimmed to exclude the title in the lower margin, there is scattered light surface soiling, mostly visible on the..... More
Paris: Charles Joseph Hullmandel, 1839. Lithograph in colors with engraving on buff wove paper. Each of the two images measures 10 3/4 x 6 5/8 inches (271 x 167 mm), with the sheet measuring 14 1/4 x 20 1/2 inches (360 x 520 mm), the margins are full. Scattered light..... More
Paris: Chalcographie Louvre, c 1910. Drypoint etching on buff wove paper, 7 x 11 inches (175 x 278 mm) full margins. With the "Musée Louvre Chalcographie" blind stamp in the lower center margin. Moderate mat tone, minor scattered light foxing, striated moderate toning from a non-archival cardboard mount on the..... More
Paris: Chalcographie Louvre, c 1910. Drypoint etching on buff wove paper, 9 1/2 x 10 3/4 inches (240 x 271 mm) full margins. Signed in the image, lower left. With the "Musée Louvre Chalcographie" blind stamp in the lower center margin. Moderate mat tone, uniform moderate toning from a non-archival..... More
London: J.S. Virtue & Co. Limited, 1880. Etching with engraving on buff wove paper, 8 12 x 6 inches (215 x 150 mm), full margins. Signed in the image, lower left. In very good condition with an unrecognizable ink stamp in purple on the verso. An attractive etched Victorian image..... More
London: Seeley & Co., 1880. Etching and engraving on watermarked WBW Portfolio cream laid paper, 10 1/8 x 7 inches (255 x 175 mm), full margins. Minor mat tone and with the tip of the lower right corner missing, otherwise in very good condition. From The Portfolio, vol. 11, edited..... More
London: Seeley & Co., 1882. Etching and engraving on watermarked WBW Portfolio cream laid paper, 10 1/4 x 7 1/2 inches (260 x 190 mm), full margins. Minor mat tone, and moisture staining at the top corner-tips (well outside of image area), scattered minor adhesive residue in the lower sheet..... More
1840. Etching in brownish black ink on cream laid paper, 5 3/8 x 3 1/2 inches (135 x 87 mm), partially trimmed lower sheet edge. With the artist's moniker in the image, upper left, and the artist's "owl" ink stamp in red ink, partially trimmed, in the lower center margin..... More
1901. Lithograph on hand made Japon paper, 9 x 6 inches (227 x 150 mm), full margins. Moderate mat tone, approximately one dozen unobtrusive scattered spots of foxing along right sheet margin, well outside of image area. A charicteristically ethereal and dream-like composition by one of the leaders of the..... More
1900. Etching with drypoint on cream wove paper, 11 3/4 x 13 3/4 inches (297 x 347 mm), full margins. Signed in pencil and numbered 32/40, lower margin. Minor mat tone and several small losses in the left sheet edge, and one small loss at the top left sheet edge..... More
1923. Etching and drypoint on chine collé laid down to cream wove paper, 12 5/8 x 8 5/8 inches (318 x 217 mm), full margins. Signed, titled, and numbered 68/100 in pencil, lower margin. Third state (of 3). Laid down to non archival board with mat tone, and scattered adhesive..... More
c 1729. Chiaroscuro woodcut printed from two blocks in beige and olive with etching and aquatint on cream laid paper, 11 1/8 x 10 inches (281 x 252 mm) (plate), full margins with the text printing clearly below in olive ink. In very good condition with no visible defects other..... More
Paris: Alfred Cadart, c 1890. Etching with drypoint and engraving on watermarked D & C Blauw laid paper, 7 3/4 x 11 inches (195 x 278 mm). Scattered toning and handling wear in the margins, including a 1-inch vertical tear in the top center sheet edge. All condition issues are..... More
1866. Etching on cream wove paper. 5 1/2 x 4 3/8 inches (138 x 110 mm), full margins. Third state (of 4). Light scattered age tone, and time stain. Scattered extremely light areas of minor spots of foxing at extreme sheet edge. Hard crease along lower sheet margin, appx 1/2..... More
Paris: 1862. Cliché-verre on lightweight photosensitive wove paper, 8 3/4 x 7 1/8 inches (220 x 180 mm) (sheet), full margins. Signed in the plate, lower right. Because this impression is printed on lightweight photosensitive paper, lacks a cancellation mark, and does not have 20th century publisher's seal; our opinion..... More
1835. Lithograph on cream wove paper, 12 3/4 x 9 1/8 inches (322 x 231 mm), margins trimmed. Some scattered light foxing on the verso, handling creases, and adhesive residue along the top sheet edge, and left sheet edge, verso. Recto is clean. Born in Bordeaux in 1804, Adrien Dauzats..... More
London: C.Motte, 1828. Lithograph on Chine appliqué, 9 1/4 x 8 1/8 inches (235 x 206 mm), full margins. First state (of 4). Extremely minor uniform age tone, otherwise in good condition. A superb, richly-inked impression. [Delteil 61.1]. At an early age Delacroix became a lover of music and literature..... More
c 1830. Etching, drypoint, and roulette on watermarked Hallines cream laid paper, 3 3/4 x 5 7/8 inches (95 x 148 mm), full margins. A very good impression of this charming image, with all of the fine lines printing clearly. Plate is inky and well-wiped. Scattered light surface soiling, age..... More
Ink and wash on hand made, cool-toned cream laid paper, 6 3/4 x 8 7/8 inches (170 x 224 mm), top margin slightly trimmed. Partial watermark of a shield with two horns, upper right corner. The deckle edge along the sheet top has been trimmed out, the three other deckle..... More
Red chalk on cream wove paper 10 1/8 x 8 3/8 inches (256 x 212 mm), top margin slightly trimmed. One ¼-inch vertical edge tear at center-left top margin (unobtrusive). Two spots of light brown discoloration at left-lower sheet quadrant. Notation in top left corner reading “No 7” in black..... More