![49 Geometrical and Graphical Essays [and] Plates to the Geometrical and Graphical Essays.; By...](https://robzangerrarebooks.cdn.bibliopolis.com/pictures/49_1.jpg?width=320&height=427&fit=bounds&auto=webp&v=1659389515)
London: W. & S. Jones, 1813. Fourth Edition. Two volumes, 8vo, 9 x 5 3/4 in. (228 x 145 mm); 9 x 5 ½”. Text volume: pp. frontispiece, xii, 534, [16] ads; Plates vol.: pp. title page and 34 folding plates. Previous owner's name penned on the first free flyleaf..... More
c 1815. Black crayon and graphite with white heightening on blue handmade laid paper, 11 7/8 x 18 inches (300 x 456 mm). Adhered at all four corners to a period support, on which the title and an illegible date (perhaps 1815) appear to be written in the artist's hand..... More
London: Thomas McLean, 1822. Soft ground etching with hand coloring in watercolor, 8 x 9 3/4 inches (200 x 241 mm), full margins. Mat tone and light edge wear, with a small portion of the bottom right corner missing, all well outside of image area. Handling creases and surface soiling..... More
London: Thomas McLean, 1822. Soft-ground etching with hand-coloring in watercolor, 10 1/2 x 8 3/8 inches (266 x 213 mm), full margins. In good condition with uniform age tone, a minor edge nic at the left sheet edge (well outside of image area), and scattered light surface soiling. From the..... More
London: Thomas McLean, 1822. Soft ground etching with hand coloring in watercolor, 7 7/8 x 10 1/8 inches (200 x 257 mm), full margins. Scattered light, uniform discoloration, scattered handling creases, age tone and minor mat tone, all consistent with age. More
London: Thomas McLean, 1822. Soft ground etching with hand coloring in watercolor, 7 3/4 x 10 inches (195 x 252 mm), full margins. Minor edge wear, handling wear and surface soiling, all consistent with age. Colors are fresh with minor age and mat tone. More
![114 Illustrations to Popular Songs [Glorious Apollo, one plate]. Henry Thomas Alken](https://robzangerrarebooks.cdn.bibliopolis.com/pictures/114.jpg?width=320&height=427&fit=bounds&auto=webp&v=1636485562)
London: Thomas McLean, 1822. Soft ground etching with handcoloring in watercolor on cream wove paper, 8 7/16 x 10 9/16 inches (215 x 270mm), full margins. From the edition of 42 hand-colored and bound softground etchings, printed by Thomas McLean. Scattered discoloration, light surface soiling and age tone. Window of..... More
London: Kegan, Trench, Trubner & Co., 1838. Engraving with hand coloring in watercolor, 4 1/8 x 6 3/4 inches (104 x 170 mm), full margins. In good condition with minor handling creases and a pencil notation in the lower right corner, outside of the image area. From Jorrocks's Jaunts and..... More
c1880. Newsprint collage on paper, 3 2/4 x 2 1/2 inches (95 x 63 mm). Uniform age tone. The scene is set with a policeman interrupting three men (a footballer, a man in a bowler, and an unconscious gentleman (who resembles Alexander Hamilton) in flagrante with exposed phalluses, while two..... More
Boston: Frederick Gleason, 1851. Engraving with hand-drawn borders on cream wove paper, laid down to board. 7 3/4 x 10 inches (197 x 255 mm), trimmed margins, lacking text. Scattered light soiling, and toning, with a dog-eared lower left corner. An illustration from the June 21 & 28, 1851 edition..... More
c 1905. Watercolor and pencil on buff wove watercolor paper, 10 x 8 inches (255 x 203 mm). In good condition with overall minor toning. Some watercolor paint splatters on the verso, contemporaneous with the painting itself. More
Frederick Gleason, 1851. Engraving with hand-drawn borders on cream wove paper, laid down to board. 7 3/4 x 10 inches (197 x 255 mm), trimmed margins, lacking text. Scattered light soiling, and toning, with a dog-eared lower left corner. An illustration from the June 21 & 28, 1851 edition of..... More
c 1905. Watercolor on board with black crayon, 8 1/2 x 11 inches (215 x 280 mm). Minor age tone, and a dog-eared lower right corner. Notations in pencil on the verso. An unfinished but spirited plein-air composition of what appears to be the Shenandoah or Potomac River valley with..... More
Philadelphia: J.B. Lippincott & Co, 1860. Lithograph and engraving with handcoloring in watercolor on white wove paper, 11 1/2 x 9 inches (290 x 230 mm) (Sheet), full margins. Chip at each of the corners, and at the left sheet edge, all well outside of image area. A single plate..... More
c 1850. Graphite and crayon on cream wove paper, 6 3/8 x 5 1/4 inches (162 x 143 mm), mounted to a sheet of heavy wove paper which is inscribed in pencil. More
London: Knight and Lacey, 1825. Engraving with hand coloring in watercolor, 4 1/4 x 7 1/4 inches (106 x 182 mm), full margins. Scattered light foxing, dog-eared corners (upper right & lower left), and minor age tone. Colors remain fresh. An impression of this print may be found in the..... More
Philadelphia: New York Publishing Company, 1892. First Edition. Small 8vo., 7 3/8 x 5 inches (188 x 127 mm), pp. 180, printed on heavy laid paper and illustrated with a frontispiece portrait plate Red calf binding by Root & Son with gold fillets and rosettes on boards, 5 raised bands..... More
London: Cassell and Co., 1896. First Edition. Small 8vo., 7 3/8 x 5 inches (188 x 127 mm), pp. viii + 452 + 4 of publisher's advertising. Red calf binding by Root & Son (stamp on fly leaf) with gold fillets and rosettes on boards, 5 raised bands, gilt decoration..... More
New York: Lovell, Coryell and Company, 1893. First Edition, Second Issue. Small 8vo., 7 3/8 x 5 inches (188 x 127 mm), pp. 270. Beautifully bound by Root & Son in red calf with gold fillets and rosettes on boards, 5 raised bands, gilt decoration and titles in compartments, turn-ins..... More
London: Hodder and Stoughton, 1888. First Edition, First Issue. Small 8vo., 7 3/8 x 5 inches (188 x 127 mm), pp. 289 + 2 of publisher's advertising. Red calf binding by Root & Son (stamp on fly leaf) with gold fillets and rosettes on boards, 5 raised bands, gilt decoration..... More
London: Hodder and Stoughton, 1947. 8vo, 8 1/2 x 5 1/2 inches (215 x140 mm); pp. xii, 1272. Binding by Sangorski & Sutcliffe (stamped in gold at the bottom of front turn-in) in blue crushed morocco with gilt fillets on covers and turn-ins, title in gilt, five raised bands with..... More
Essex: c1899. Etching with aquatint on cream wove paper, 7 1/2 x 12 1/4 inches (190 x 310 mm), full margins. Signed and titled in pencil in the lower margin. In very good condition with excellent gradient toning and rich inking. One small, vertical, pencil-thin area of light yellow discoloration..... More
c 1900. Photogravure printed in brownish beige ink on cream laid paper, laid down to card stock, 6 x 8 inches (151 x 202 mm), margins trimmed to image area. Significant rubbing at corners of matrix, and along matrix edges. Etched by Friedrich Wilhelm Zimmermann after the late 18th century..... More
London: George Baxter, c 1850. Oil lithograph in colors on light card stock, 1 7/8 x 1 inches (47 x 24 mm), printed to the margins, as issued. Signed and titled in another hand in ink on the mat. Colors are attenuated and the image shows toning throughout. Mat tone..... More
