Antique BINDING Tool
This is a test entry. More
This is a test entry. More
this is a test entry. More
Printed for the Company of Stationers, 1783. 64mo, 1 1/4 x 1 3/8 in. (57 x 33 mm), 24pp. Original cream morocco elaborately gilt and with decorative morocco inlays in red, with a woman dancing with a garland; marbled end-papers, a.e.g. Engraved throughout with a 4 page view of 'The..... More
1796. 64mo, 1 1/4 x 1 3/8 in. (57 x 33 mm), 24pp. Very beautiful publisher's Venetian style mosaic style inlaid morocco in green, red, and blue, with gilt decorations, central medallion with horse and rider; red end-papers, a.e.g. Engraved throughout with a 4 page image 'VIEW of the inside..... More
c 1930. Etching with drypoint on light-weight cream laid paper, 3 7/8 x 4 1/8 inches (98 x 105 mm), full margins. Very light age tone at sheet corners, and one light inky fingerprint on the verso, lower center margin, not visible on recto. Top-right corner has a soft dog-ear..... More
Netherlands: c 1930. Etching on cream laid paper, 3 7/8 x 3 inches (97 x 75 mm), full margins. Area of inking imperfecton in the form of a light colored intermittent band, running in a slight diagonal across the lower portion of the sheet, unobtrusive and well outside of the..... More
New York: 1950. Etching on cream wove paper, 5 15/16 x 7 7/8 inches (151 x 200 mm), full margins. Light inky fingerprints on the verso at the lower left corner, and some very light scattered surface soiling throughout on the recto. Inking anomalies in the left quadrant of the..... More
London: R. Ackermann, printed by L. Harrison & J. C. Leigh, 1814. Bluck, Stadler, Hill & others after Pugin, Mackenzie, Westall & others. First Edition. In two volumes; 4to, 13 x 10.5/8 in. (330 x 270 mm). vol. 1: xxvi+275+vi; vol. 2: iv+262+vi. Half-titles, list of subscribers, uncolored stipple-engraved portrait..... More
London: 1808-1810. Thomas Rowlandson and Augustus Pugin. First Edition. In three volumes with 104 brilliantly-colored acquaint plates. Large 4to; 13 x 10 7/16 in. (330 x 267mm). Illustrated woodcut titles, half-titles, and engraved dedication page to the Prince of Wales in each volume, as well as a list of illustrations..... More
London: R. Ackermann, 1812. First Edition, second issue. In Two volumes, large 4to; 12 3/4 x 10 3/4 in. (325 x 272 mm), with all 83 plates, 81 of which are colored aquatints by J.Bluck, J.Hamble, T.Sutherland and others, after A.Pugin, F.Mackenzie, H.Villiers, T.Uwins, &c. Includes the half-titles; list of..... More
London: W. & S. Jones, 1813. Fourth Edition. Two volumes, 8vo, 9 x 5 3/4 in. (228 x 145 mm); 9 x 5 ½”. Text volume: pp. frontispiece, xii, 534, [16] ads; Plates vol.: pp. title page and 34 folding plates. Previous owner's name penned on the first free flyleaf..... More
c 1925. Etching with drypoint on cream laid paper, 11 5/8 x 17 3/8 inches (295 x 440 mm), full margins. Signed in pencil, lower right. Some toning on the verso, with the sheet adhered at points around the perimeter to a non archival board. The recto is clean and..... More
c 1815. Black crayon and graphite with white heightening on blue handmade laid paper, 11 7/8 x 18 inches (300 x 456 mm). Adhered at all four corners to a period support, on which the title and an illegible date (perhaps 1815) appear to be written in the artist's hand..... More
London: Thomas McLean, 1822. Soft ground etching with hand coloring in watercolor, 8 x 9 3/4 inches (200 x 241 mm), full margins. Mat tone and light edge wear, with a small portion of the bottom right corner missing, all well outside of image area. Handling creases and surface soiling..... More
London: Thomas McLean, 1822. Soft ground etching with hand coloring in watercolor, 7 7/8 x 10 1/8 inches (200 x 257 mm), full margins. Scattered light, uniform discoloration, scattered handling creases, age tone and minor mat tone, all consistent with age. More
London: Thomas McLean, 1822. Soft ground etching with hand coloring in watercolor, 7 3/4 x 10 inches (195 x 252 mm), full margins. Minor edge wear, handling wear and surface soiling, all consistent with age. Colors are fresh with minor age and mat tone. More
London: Thomas McLean, 1822. Soft ground etching with handcoloring in watercolor on cream wove paper, 8 7/16 x 10 9/16 inches (215 x 270mm), full margins. From the edition of 42 hand-colored and bound softground etchings, printed by Thomas McLean. Scattered discoloration, light surface soiling and age tone. Window of..... More
London: Kegan, Trench, Trubner & Co., 1838. Engraving with hand coloring in watercolor, 4 1/8 x 6 3/4 inches (104 x 170 mm), full margins. In good condition with minor handling creases and a pencil notation in the lower right corner, outside of the image area. From Jorrocks's Jaunts and..... More
London: Knight and Lacey, 1825. Engraving with hand coloring in watercolor, 4 1/4 x 7 1/4 inches (106 x 182 mm), full margins. Scattered light foxing, dog-eared corners (upper right & lower left), and minor age tone. Colors remain fresh. An impression of this print may be found in the..... More
1565. Etching on handmade cream laid paper, 9 3/4 x 11 1/2 inches (246 x 291 mm), trimmed at the platemark. Laid down to a cream laid paper matrix, and then to a non archival board. Scattered foxing throughout. This work is a reverse image copy of the same-titled etching..... More
London: John and Paul Knapton, 1749. Fifth Edition. 4to, 11 1/4 x 8 3/4 in. (286 x 222 mm); pp. title (blank v.) + xx + 417. Illustrated with folding frontispiece map (A Chart, | shewing | The Track of the Centurion | Round the WORLD), and an additional forty-two..... More
1943. Etching on cream laid paper, 3 1/2 × 1 3/4 inches (89 × 44 mm), full margins. Signed in pencil and inscribed "Trial State III." No visible defects, with an unevenly trimmed sheet. A beautifully inked impression with all of the fine details printing clearly. More
1948. Etching on handmade cream laid paper, 3 1/2 x 4 1/4 inches (890 x 108 mm), full margins. Signed, dated and inscribed "III" in pencil, lower margin. Edition of 150, third state (of three). No. 49 from the French Church Series. A beautiful, bright, inky impression in excellent condition..... More
1931. Etching on antique cream laid paper, 10 x 14 13/16 inches (254 x 377 mm), full margins. Signed in pencil and inscribed "Ed. 100" (from a total edition of 128). Third state (of three). Number 22 from the Italian Series. In good condition with scattered light surface soiling and..... More
1926. Etching on thin, bluish-green cream laid paper, 9 1/4 x 4 3/4 inches (233 x 120 mm), full margins. Signed and dated in pencil, lower margin. First and only state. Printed by Frederick Reynolds. In very good condition with two or three very minor points of light discoloration in..... More