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Printed for the Company of Stationers, 1783. 64mo, 1 1/4 x 1 3/8 in. (57 x 33 mm), 24pp. Original cream morocco elaborately gilt and with decorative morocco inlays in red, with a woman dancing with a garland; marbled end-papers, a.e.g. Engraved throughout with a 4 page view of 'The..... More

c 1930. Etching with drypoint on light-weight cream laid paper, 3 7/8 x 4 1/8 inches (98 x 105 mm), full margins. Very light age tone at sheet corners, and one light inky fingerprint on the verso, lower center margin, not visible on recto. Top-right corner has a soft dog-ear..... More

New York: 1950. Etching on cream wove paper, 5 15/16 x 7 7/8 inches (151 x 200 mm), full margins. Light inky fingerprints on the verso at the lower left corner, and some very light scattered surface soiling throughout on the recto. Inking anomalies in the left quadrant of the..... More

1634. Etching with drypoint printed in sepia on buff wove paper, 4 x 3 inches (100 x 75 mm), full margins. In good condition but with the area of the tree tops and birds appearing slightly misaligned. Printed 20th century. More

London: 1808-1810. Thomas Rowlandson and Augustus Pugin. First Edition. In three volumes with 104 brilliantly-colored acquaint plates. Large 4to; 13 x 10 7/16 in. (330 x 267mm). Illustrated woodcut titles, half-titles, and engraved dedication page to the Prince of Wales in each volume, as well as a list of illustrations..... More

London: W. & S. Jones, 1813. Fourth Edition. Two volumes, 8vo, 9 x 5 3/4 in. (228 x 145 mm); 9 x 5 ½”. Text volume: pp. frontispiece, xii, 534, [16] ads; Plates vol.: pp. title page and 34 folding plates. Previous owner's name penned on the first free flyleaf..... More

London: John Stockdale, 1793. First Edition. 2 vol., Large 8vo, 11 x 7 in. (278 x 178 mm); pp. lxv, 189 (misnumbered 891); advertisement, xi, 248; engraved vignettes on title page of each vol. and 110 other plates, one for each fable, by various engravers including Skelton and Barrett, J...... More

c 1815. Black crayon and graphite with white heightening on blue handmade laid paper, 11 7/8 x 18 inches (300 x 456 mm). Adhered at all four corners to a period support, on which the title and an illegible date (perhaps 1815) appear to be written in the artist's hand..... More

London: Thomas McLean, 1822. Soft ground etching with hand coloring in watercolor, 8 x 9 3/4 inches (200 x 241 mm), full margins. Mat tone and light edge wear, with a small portion of the bottom right corner missing, all well outside of image area. Handling creases and surface soiling..... More

London: Thomas McLean, 1822. Soft ground etching with hand coloring in watercolor, 7 7/8 x 10 1/8 inches (200 x 257 mm), full margins. Scattered light, uniform discoloration, scattered handling creases, age tone and minor mat tone, all consistent with age. More

London: Thomas McLean, 1822. Soft ground etching with handcoloring in watercolor on cream wove paper, 8 7/16 x 10 9/16 inches (215 x 270mm), full margins. From the edition of 42 hand-colored and bound softground etchings, printed by Thomas McLean. Scattered discoloration, light surface soiling and age tone. Window of..... More

Philadelphia: Wilmer Atkinson, 1831. Wood engraving on cream wove paper, 5 3/8 x 8 3/4 inches (145 x 222 mm), right margin trimmed. General age tone, uneven margins and some minor skinning at the sheet edges. An image removed from an edition of the Farm Journal. The Clinton House was..... More