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Printed for the Company of Stationers, 1783. 64mo, 1 1/4 x 1 3/8 in. (57 x 33 mm), 24pp. Original cream morocco elaborately gilt and with decorative morocco inlays in red, with a woman dancing with a garland; marbled end-papers, a.e.g. Engraved throughout with a 4 page view of 'The..... More

c 1930. Etching with drypoint on light-weight cream laid paper, 3 7/8 x 4 1/8 inches (98 x 105 mm), full margins. Very light age tone at sheet corners, and one light inky fingerprint on the verso, lower center margin, not visible on recto. Top-right corner has a soft dog-ear..... More

New York: 1950. Etching on cream wove paper, 5 15/16 x 7 7/8 inches (151 x 200 mm), full margins. Light inky fingerprints on the verso at the lower left corner, and some very light scattered surface soiling throughout on the recto. Inking anomalies in the left quadrant of the..... More

London: 1808-1810. Thomas Rowlandson and Augustus Pugin. First Edition. In three volumes with 104 brilliantly-colored acquaint plates. Large 4to; 13 x 10 7/16 in. (330 x 267mm). Illustrated woodcut titles, half-titles, and engraved dedication page to the Prince of Wales in each volume, as well as a list of illustrations..... More

London: W. & S. Jones, 1813. Fourth Edition. Two volumes, 8vo, 9 x 5 3/4 in. (228 x 145 mm); 9 x 5 ½”. Text volume: pp. frontispiece, xii, 534, [16] ads; Plates vol.: pp. title page and 34 folding plates. Previous owner's name penned on the first free flyleaf..... More

c 1815. Black crayon and graphite with white heightening on blue handmade laid paper, 11 7/8 x 18 inches (300 x 456 mm). Adhered at all four corners to a period support, on which the title and an illegible date (perhaps 1815) appear to be written in the artist's hand..... More

London: Thomas McLean, 1822. Soft ground etching with hand coloring in watercolor, 7 7/8 x 10 1/8 inches (200 x 257 mm), full margins. Scattered light, uniform discoloration, scattered handling creases, age tone and minor mat tone, all consistent with age. More

London: Thomas McLean, 1822. Soft ground etching with handcoloring in watercolor on cream wove paper, 8 7/16 x 10 9/16 inches (215 x 270mm), full margins. From the edition of 42 hand-colored and bound softground etchings, printed by Thomas McLean. Scattered discoloration, light surface soiling and age tone. Window of..... More

London: Knight and Lacey, 1825. Engraving with hand coloring in watercolor, 4 1/4 x 7 1/4 inches (106 x 182 mm), full margins. Scattered light foxing, dog-eared corners (upper right & lower left), and minor age tone. Colors remain fresh. An impression of this print may be found in the..... More

London: John and Paul Knapton, 1749. Fifth Edition. 4to, 11 1/4 x 8 3/4 in. (286 x 222 mm); pp. title (blank v.) + xx + 417. Illustrated with folding frontispiece map (A Chart, | shewing | The Track of the Centurion | Round the WORLD), and an additional forty-two..... More

1948. Etching on handmade cream laid paper, 3 1/2 x 4 1/4 inches (890 x 108 mm), full margins. Signed, dated and inscribed "III" in pencil, lower margin. Edition of 150, third state (of three). No. 49 from the French Church Series. A beautiful, bright, inky impression in excellent condition..... More

1926. Etching on thin, bluish-green cream laid paper, 9 1/4 x 4 3/4 inches (233 x 120 mm), full margins. Signed and dated in pencil, lower margin. First and only state. Printed by Frederick Reynolds. In very good condition with two or three very minor points of light discoloration in..... More