Portrait of a bearded man
c1920. Wood engraving on cream wove paper, 5 7/8 x 4 1/4 mm (150 x 107 mm), full margins. In good condition with no visible defects. More
A diversified and impressive selection of fine art consisting of old Master Prints & Drawings, 19th & 20th Century American & European Prints & Drawings, Watercolors, Botanical & Natural History, 18th & 19th century hand-colored etchings, Japanese woodblock prints, and the occasional painting.
c1920. Wood engraving on cream wove paper, 5 7/8 x 4 1/4 mm (150 x 107 mm), full margins. In good condition with no visible defects. More
Paris: Cadart & Luquet, 1865. Two etchings printed on one sheet of buff wove paper. Each impression measuring 3 1/2 x 7 inches (88 x 177 mm), full margins. With the Cadart blindstamp in the lower-center margin. In good condition with some light toning and several minor spots of light..... More
Paris: Cadart, 1865. Etching on buff wove paper, 3 1/2 x 7 inches (88 x 177 mm), full margins. In good condition with some light toning and several minor spots of light discoloration in the margins. Printed by Delâtre, Paris. Appian was born in Lyon and changed his name to..... More
1925. Etching on antique cream laid paper, 7 7/8 x 5 1/8 inches (201 x 130 mm), full margins. Edition of 150. Printed by Federick Reynolds. Signed and dated in pencil, lower right. Arms was assisted in the completion of this plate by Kerr Eby. In very good condition with..... More
1928. Etching on antique laid paper, 6 9/16 x 3 15/16 inches (167 x 100 mm), signed and dated in pencil, lower margin. Potentially a trial proof impression aside from the unsigned edition of 1459. Non-archival tape residue along the top and bottom sheet edges, recto, well outside of image..... More
1927. Etching on antique handmade laid paper, 9 5/8 x 4 1/4 inches (246 x 109 mm), full margins. Signed and dated (1928) in pencil, lower margin. Printed by Frederick Reynolds. In very good condition with some marginal toning around the extreme sheet edges. An excellent, inky impression. [Fletcher 207]..... More
1944. Etching on bluish-grey, antique laid paper, 5 x 3 5/8 inches (127 x 93 mm), signed, dated, and inscribed "III" in pencil, lower margin. A proof impression from the third state (of 3), after the reduction of the plate, and before the regular edition of 72. Printed by David..... More
1943. Etching on cream laid paper, 3 1/2 × 1 3/4 inches (89 × 44 mm), full margins. Signed in pencil and inscribed "Trial State III." No visible defects, with an unevenly trimmed sheet. A beautifully inked impression with all of the fine details printing clearly. Born in 1887 in..... More
1944. Etching on cream laid paper, 3 3/16 x 1 9/16 inches (81 x 41 mm), full margins. Signed, dated, and inscribed "II" in pencil, lower margin. From the second state (of 2) before the reduction of the plate. Fletcher states a total of three trial proofs, an unknown number..... More
1944. Etching on cream wove paper, 3 3/16 x 1 9/16 inches (81 x 41 mm), full margins. Signed, dated, and inscribed "II" in pencil, lower margin, and with an inscription and dedication in the artist's hand in the lower margin. From the second state (of 2) before the reduction..... More
1938. Etching with aquatint on cream wove paper, 1 3/4 x 5 inches (178x 127 mm), full margins. Signed, dated and inscribed "Ed. 150" in pencil, lower margin. Second state (of 3), before the addition of drypoint and the ornament on the reredos. Although this impression is inscribed with an..... More
The Minature Print Society of Kansas City, Mo. 1942. Etching on cream colored Japon wove paper, 2 1/4 x 2 15/16 inches (58 x 75 mm), full margins. Signed, dated and inscribed "II" in pencil in the lower margin. In excellent condition. One of nine trial proof impressions of the..... More
1942. Etching on Japon paper, 3 1/2 x 1 3/4 inches (89 x 44 mm), full margins. Signed in pencil and inscribed "III" in the lower margin. Likely an unrecorded trial proof impression from the first state (of 3), before the trimming of the plate (Fletcher states only two trial..... More
1925. Etching on cream wove Japon paper, 7 3/8 x 7 3/4 inches (188 x 197 mm), full margins. Signed and dated in pencil, lower margin. In excellent condition with some minor surface soiling on the recto, as well as inscriptions in pencil at the left and right corners, verso..... More
1938. Etching on antique Emberlin 1846 cream laid paper with a parial watermark of Britannia, or Seated Victory, set in a cartouche, surmounted by the Crown of England, 3 1/4 x 5 1/2 inches (33 x 140 mm), full margins. Signed, dated, and inscribed "Ed. 150 II," in pencil, lower..... More
1929. Etching on antique cream laid paper, 12 7/8 x 5 1/2 inches (328 x 140 mm), full margins. Signed in pencil, lower margin. Laid down to non-archival board, general age tone and some mat tone. The image itself is superb and well inked. Paper: Arms was typical of the..... More
1944. Etching on bluish-grey, thin laid paper, 9 1/2 x 5 1/2 inches (242 x 140 mm), full margins. Signed, dated and numbered "II." In very good condition with three pin-point sized dots of brown discoloration in the left margin (well outside of the image area), and paper tape at..... More
1939. Etching on fine, laid antique Head & Co. paper with a partial watermark. 1/2 x 13/16 (13 x 21 mm), full margins. Signed, dated, and inscribed "II" in pencil, lower margin. A trial proof impression from the second state (of two), printed by the artist, aside from the regular..... More
1948. Etching on handmade cream laid paper, 3 1/2 x 4 1/4 inches (890 x 108 mm), full margins. Signed, dated and inscribed "III" in pencil, lower margin. Edition of 150, third state (of three). No. 49 from the French Church Series. A beautiful, bright, inky impression in excellent condition..... More
1940. Etching on white laid paper with an "England" watermark, 3 x 1 3/4 inches (76 x 45 mm), full margins. Signed, dated and inscribed "II" in pencil, lower margin. One of 13 trial proof impressions of the second state (of 2), aside from the regular edition of 551 signed..... More
1931. Etching on antique cream laid paper, 10 x 14 13/16 inches (254 x 377 mm), full margins. Signed in pencil and inscribed "Ed. 100" (from a total edition of 128). Third state (of three). Number 22 from the Italian Series. In good condition with scattered light surface soiling and..... More
1931. Etching on antique laid Japon paper, 10 x 14 13/16 inches (254 x 377 mm), full margins. Signed in pencil and inscribed "Ed. 100" (from a total edition of 128). Third state (of three). Number 22 from the Italian Series. In good condition with scattered light surface soiling and..... More
1926. Etching on thin, bluish-green cream laid paper, 9 1/4 x 4 3/4 inches (233 x 120 mm), full margins. Signed and dated in pencil, lower margin. First and only state. Printed by Frederick Reynolds. In very good condition with two or three very minor points of light discoloration in..... More
1925. Etching on cream wove paper 5 7/8 x 3 3/8 inches (150 x 86 mm). Signed and dated in pencil in the lower margin. First state (of 2), before the removal of the inscription in the lower margin. Likely a signed trial proof, aside from the editon of 258..... More
Miniature Print Society, 1946. Etching and drypoint on greenish cream wove paper, 3 1/4 x 1 15/16 inches (81 x 48 mm), full margins. Signed, dated, and inscribed "III" in pencil. Number 46 from the French Churches series; number 37 from the Miniature series. In superb condition with all of..... More