London: Thomas Mclean, August 1st, 1835. Second Edition. Etching with handcoloring in watercolor on cream wove paper. 10 1/8 x 13 3/4 inches (255 x 347 mm), uneven (full?) margins. One large bow of light-colored dampstain, extending approximately 1- inch into the platemark, but outside of the image area (unobtrusive)..... More
London: Thomas McLean, 1818. Third Edition. Etching with hand coloring in watercolor on cream wove paper, (published August 1st, 1835), 9 1/2 x 13 3/4 inches, (240 x 348 mm), full margins. Final edition, printed by Thomas McLean. Light, circular area of dampstaining at right sheet edge verso, extending into..... More
London: Thomas Mclean, 1835. Etching with hand coloring in watercolor on cream wove paper. 5 3/8 x 7 3/4 inches (135 x 195 mm), full margins. A lovely well inked impression with fresh and lively color. In very good condition, the colors are fresh and dark, with lots of additions..... More
London: Thomas Mclean, 1835. Etching with hand coloring in watercolor on cream wove paper, 8 1/4 x 11 3/8 inches (208 x 287 mm), full margins. Second and final edition. Signed and in the plate by Cruikshank, and bearing Frederick Marryat's anchor moniker. Two large bows of light-colored dampstain, extending..... More
London: Thomas Mclean, 1835. Second Edition. Etching with hand coloring in watercolor on cream wove paper, 4 3/4 x 6 1/2 inches (120 x 165 mm), full margins. Printed by Thomas McLean. Light, circular areas of dampstaining at left sheet edge recto, well outside of image area. Second area of..... More
London: Thomas McLean, 1835. Second Edition. Etching with hand-coloring in watercolor on cream wove paper. Second (and final) edition. 5 x 6 ½ inches (125 x 164mm), full margins. Printed by Thomas McLean, London. Light dampstain in left sheet edge, extending in two bows, approximately 1 3/8 inches into the..... More
Thomas McLean, 1835. Etching with hand coloring in watercolor on cream wove paper, 4 3/4 x 6 1/2 inches (120 x 165 mm), full margins. Printed by Thomas McLean. Light, small circular area of dampstaining at left sheet edge recto, well outside of image area. Second very small area of..... More
London: Thomas McLean, 1818. Third Edition. Etching with hand coloring in watercolor on cream wove paper (published August 1st, 1835), 9 7/8 x 14 inches (250 x 354 mm), full margins. Final edition, printed by Thomas McLean. Light, circular area of dampstaining at right sheet edge verso, extending into image..... More
London: Thomas Mclean, 1835. Etching with hand coloring in watercolor on cream wove paper, 5 1/8 x 6 1/8 inches (130 x 155 mm), full margins. In good condition with minor handling wear and three tabs of mountain tape along the top margin, well outside of image area. Colors are..... More
London: Thomas McLean, 1835. Third Edition. Etching with hand coloring in watercolor on cream wove paper, 9 1/2 x 13 3/4 inches (240 x 348 mm), full margins. With light, fresh color. Light, circular area of dampstaining at right sheet edge verso, extending into image area approx 1-inch, unobtrusive. Second..... More
London: Thomas McLean, 1835. Third Edition. Etching with hand coloring in watercolor on cream wove paper, 1818 (published August 1st, 1835) 9 1/2 x 13 3/4 inches (240 x 348 mm), full margins. With light, fresh color. Light, circular area of dampstaining at right sheet edge verso, extending into image..... More
London: Thomas McLean, 1835. Second Edition. Etching with hand coloring in watercolor on cream wove paper, 1835. 8 1/4 x 11 1/2 inches (250 x 354 mm), full margins. With the quote from The Corsair, A Tale, Canto I, by George Gordon Byron, printing clearly and in full below the..... More
London: Thomas McLean, 1835. Etching with handcoloring in watercolor on cream wove paper, 8 3/8 x 11 1/2 inches (210 x 290 mm), full margins. Second and final edition. Signed and in the plate by Cruikshank, and bearing Frederick Marryat's anchor moniker. Two large bows of light-colored dampstain, approximately 1/4..... More
London: Thomas McLean, 1835. Etching with hand coloring in watercolor on cream laid paper, 4 7/8 x 6 7/8 inches (121 x 162 mm), full margins. Pieces of non archival tape on top center, top left corner, and top right corner on verso well outside image area. Water stain on..... More
London: Thomas McLean, 1835. Etching with hand coloring in watercolor on cream wove paper, 5 1/8 x 6 5/8 inches (130 x 173 mm), full margins. A humorous commentary on the air quality in Victorian-era London. Condition consistent with age, no visible defects. Mounting tape at three spots along top..... More
London: Thomas Mclean, 1835. Etching with hand coloring in watercolor on cream wove paper, 5 x 8 3/8 inches (125 x 210 mm), full margins. A lovely, well inked impression with fresh and extensive hand coloring. Paper tape remnants from a former mount at top right and left sheet edges..... More
London: Thomas McLean, 1835. First Edition. Etching with extensive hand coloring in watercolor on cream wove paper. 8 x 10 3/8 in (200 x 262 mm), full margins. An excellent, well-inked impression of this startling image with fresh colors. Scattered light surface soiling with light handling wear. 1 ½ inch..... More
London: George Humphrey, 1821. Etching and engraving on cream wove paper with extensive hand coloring in watercolor. 9 5/8 x 13 3/4 inches (244 x 348 mm), trimmed at the platemark. A beautiful impression of this large, intricate print, with extensive rich, bright and fresh handcoloring. Extensive surface soiling, minor..... More
London: Thomas McLean, 1835. Etching with hand coloring in watercolor on cream wove paper, 4 5/8 x 6 1/2 inches (122 x 165 mm), full margins. Scattered light creasing and discoloration in the extreme sheet edges. Minor areas of light discoloration from a former mount at the top right and..... More
Etching with handcoloring in watercolor on cream wove paper, 1835. 210 x 290 mm; 8 3/8 x 11 1/2 inches, full margins. Printed and published by Thomas McLean, 26 Haymarket, August 1st, 1835. Second and final edition. Signed and in the plate by Cruikshank, and bearing Frederick Marryat's anchor monniker..... More
London: Thomas Mclean, 1835. Etching with handcoloring in watercolor on cream wove paper, 1835. 8 3/8 x 11 1/2 inches (210 x 290 mm), full margins. Second and final edition. Signed and in the plate by Cruikshank, and bearing Frederick Marryat's anchor monniker. Two large bows of light-colored dampstain, appx..... More
London: Thomas McLean, 1835. Second Edition. Etching with handcoloring in watercolor on cream wove paper, 8 3/8 x 11 1/2 inches (210 x 290mm) full margins. Final edition, printed by Thomas McLean. Signed in the plate by Cruikshank, and bearing Frederick Marryat's anchor moniker. Two large bows of light-colored dampstain..... More
London: Thomas McLean, 1835. Etching with hand coloring in watercolor on cream wove paper. 6 1/4 x 8 3/8 inches (157 x 210 mm), full margins. Initialed in the plate by Cruikshank, and bearing Frederick Marryat's anchor monniker. A well inked impression of this humorous print with fresh, extensive coloring..... More
London: Thomas McLean, 1820. Second Edition. Etching with handcoloring in watercolor on cream wove paper (published 1835), 8 3/8 x 11 1/2 inches (210 x 29 0mm), full margins. Second and final edition, printed by Thomas McLean. Signed in the plate by Cruikshank, and bearing Frederick Marryat's anchor moniker. Two..... More